We have many popular cameras on the shelf and ready to fly. When you hire us and use our cameras, we come with a full set of backup gear as well.
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
RED Weapon 8K S35.
At full 8K resolution, the HELIUM sensor captures 35.4 Megapixel motion and stills. Coupled with 60–75 fps, WEAPON 8K S35 provides the most advanced VFX solution with next-level creative flexibility. With other HELIUM sensor advancements, WEAPON 8K boasts improved low-light sensitivity and impressive dynamic range. Blazing-fast 300 MB/s data rates allow you to take advantage of the lowest possible REDCODE—and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.
Our RED Dragons come with either a an EF or PL Mount. The Red Dragon camera is a 19 megapixel sensor that captures video and stills at up to 6K resolution w/ 16.5 stops of dynamic range. The sensor captures over 9X more resolution than standard HD, resulting in native exposure that exceeds 35mm film in both latitude & image density.
Blackmagic 4K Production Camera.
The Blackmagic Design Production Camera 4K features a Super 35mm sized image sensor with a global shutter and a Canon EF lens mount. The camera’s ability to expose for 12 stops of dynamic range lends the image a truly film-like look, and the Super 35mm (21.12 x 11.88mm) sized sensor approximates the standard of traditional film.
The Panasonic Lumix DMC-GH4 Mirrorless Micro Four Thirds Digital Camera is a true hybrid camera designed for both professional photo and video use. It features a 16.05-megapixel Digital Live MOS sensor and a 4-CPU Venus Engine, capable of capturing high-resolution JPEG and RAW stills, as well as UHD 4K 3840×2160 30p/24p and cinematic DCI 4K 4096×2160 video at 24p
The Canon EOS 5D Mark III DSLR Camera is a full-frame 22.3MP DSLR featuring exceptional still image and movie recording capabilities. Whether you’re filming on a budget or matching other cameras used in your production this workhorse delivers quality footage.
Blackmagic Micro Cinema.
The Super 16mm-sized sensor delivers 1080p video up to 60 fps with a film-like look with a wide dynamic range of 13 stops. This means you retain all sensor data for DaVinci Resolve color grading. Plus, you get two dynamic range settings, Film Log or Video REC709, so you can choose the right dynamic range for your project. When our clients only need HD footage and have no camera preference, this is the one we turn to.
Eight lenses, global shutter, and 195° field of vision capture 4k per eye stereoscopic 360° images. With new advanced image signal processing through OZO Creator, OZO+ provides a generation leap in image quality.
Freefly Alta 8.
The Freefly ALTA 8 allows us to carry some of the the largest cinema payloads on the market. We confidently fly RED, ARRI and other professional cinema cameras with cinema zoom lenses and FIZ weighing up to 20-pounds. We can capture cinematic aerial shots like never before with the option to mount the MōVI on top.
DJI Inspire 2.
DJI’s magnesium-aluminum-clad Inspire 2 Quadcopter is a powerful cinematic and photographic tool. Combining the Inspire 2 with our X4S and X5S and X7 gimbal cameras yields cinema-grade images, which can be recorded in high bit rates using H.264 and H.265 formats, or, in the case of the X5R, various flavors of Apple ProRes and CinemaDNG raw using the required licenses available from DJI. All the recording functionality is processed by the Inspire 2’s CineCore 2.0 image processing engine. This is the drone we use when productions are on a tight budget and can’t afford to fly a larger camera.